I’ve been listening a lot to Shellac’s new album ‘To All Trains’ recently. It’s a shame that Steve Albini passed away so suddenly.

Sift the mixture to make sure all ideas are incorporated fully and to begin the collaborative reaction. Add bowl of mixed ideas into the simmering creative conversations.

New, shiny things are great and all, but it’s just as fantastic to get in touch with the traditions that keep themselves alive generation after generation.

My camera has always been a therapeutic tool for me. I use it to navigate and process emotion, trauma and personal growth—both my own and of the people I am photographing.

Over multiple years, we have collected and come to rely on a unique combination of equipment, which allows us to produce hand-crafted, small edition books entirely in our own studio.

You should never present something that you are not satisfied with or don’t like. It has a strong chance of being retained, even of being a success. Simultaneously, however, you should always appreciate the sketches, especially those first ones.

I could have made easy work that was simple to place and appreciate. Instead, I decided to make a big deal of this moment and tackled overly ambitious designs that most would advise against given their size and unwieldy materials.

One of the best ways to bring identity into a project is to introduce and present contemporary culture in a physical space.

I try to be conscious of the number of things that I live with and avoid objects that don’t give something back to me. There is a fine line between...

My self-published short comic book Au travers du rayon marries cinema, a field which I studied at university and thus a culture from which I come, and comics.

I’ve been loving a lot of South African and Afrobeats artists lately like Soweto Blues by Juls, Busiswa, and Jaz Karis and Adiwele by Young Stunna.

My paintings tend to borrow from architectural motifs—I’m always going on walks and taking pictures of buildings that capture my eye—and end up looking like colorful but vacant stages, altars or building facades.